Translated by Suematsu Kencho (1855 - 1920) Seidensticker (trans.Download cover art Download CD case insert Genji Monogatari (The Tale of Genji) 1 T18:05:40+00:00 Nathanael Roesch e2b52a0fe25f47457902361b2112b14c75ecc6aa Murasaki’s Education 2 media/Seidensticker p111.jpg plain T18:06:50+00:00 Yamamoto Shunsho (1610–1682) On loan from Haverford College Woodblock print illustration, facsimile from Edward G.For Helen Burwell Chapin (Class of 1914, AB 1915), a noteworthy western scholar of East Asian art and the donor of Bryn Mawr’s Osanobu screen, The Tale of Genji must have been a compelling bridge into Japan’s aesthetics and past. This work was likely commissioned as part of a princess’s dowry, its ties to the Shogunal family indicated by the Tokugawa family crest (hollyhock mon) lining the exterior edges of the frame. Only a few works by this artist of a similar scale and execution still exist in the world, and this one was produced at the height of the Kano master’s career, when he was awarded the honorary court titles of hogen and hoin. Bryn Mawr’s screen is significant for several reasons. The Sumitomo Foundation provides grants in support of the preservation of significant works of Japanese culture housed in foreign collections. In 20, Bryn Mawr’s Department of Special Collections received substantial grants from The Sumitomo Foundation to restore fully the remarkable work at the center of this exhibition. These three central female characters of the Tale, all of whom are remarkably similar in appearance, serve as symbolic reincarnations of Genji’s feminine ideal in ways that connect the otherwise winding narrative vignettes of The Tale of Genji. He oversees her education, falls in love with her, and finally marries her. The scene in our screen illustrates the young Murasaki, the niece of Lady Fujitsubo, whose resemblance to his forbidden love compels Genji’s interest in her. Instead, Genji’s long-held regard for his stepmother grows into a forbidden love affair that produces a son, Renzei, who is raised as if the legitimate future emperor. But, The Tale of Genji is not a straightforward story of monogamous love. Seeking to secure the social position of this beloved son, the Emperor arranges Genji’s marriage to a well-connected princess, Lady Aoi no Ue. The boy grows up to be a magnetic youth, developing a sense of style and reputation as the “shining” prince that make him a highly desired paramour and feared rival. The emperor is nevertheless greatly attached to the boy, even marrying a young princess, Lady Fujitsubo, who reminds him of Genji’s mother. Her premature death disqualifies Genji from succession to the throne. 1 T14:28:08+00:00 Nathanael Roesch e2b52a0fe25f47457902361b2112b14c75ecc6aa Screen with Scene from The Tale of Genji 3 Genji is born to a beautiful, but socially low-ranking courtesan, “Lady Kiritsubo,” the emperor’s most beloved mistress.She comes to live with him at Nijo Palace, where Genji oversees her education until eventually she becomes his beloved wife. Although his requests to take in the orphan are denied, Genji steals away with her anyway. … A sudden realization brought tears to eyes: she bore a stunning resemblance to the lady for whom he yearned.” – Chapter Five, “Lavender,” The Tale of Genji CHAPTER 5 SummaryUpon first observing her resemblance to his forbidden lover, Genji becomes determined to bring the young Murasaki into his household. The Tale of Genji from Princesses to Pop Main Menu The Tale of Genji from Princesses to Pop Curators Exhibition Checklist Exhibition Materials The Genji Narrative Chapter 5 1 T17:05:43+00:00 Nathanael Roesch e2b52a0fe25f47457902361b2112b14c75ecc6aa 2 5 structured_gallery T18:07:29+00:00 Nathanael Roesch e2b52a0fe25f47457902361b2112b14c75ecc6aa “She had charming features, rich unplucked eyebrows, and lovely hair, which she had childishly brushed back from her forehead. Please enable Javascript and reload the page. This site requires Javascript to be turned on.
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